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The Internet’s Original Sin
Manage episode 390016698 series 82029
This week on my podcast, I read my final Medium column
The internet’s original sin, about the failure of trying to stretch copyright to cover every problem on the internet.
Copyright is a regulation. It regulates the supply-chain of the entertainment industry. Copyright matters a lot to me, because I’m in the industry.
But unless you’re in the industry, it shouldn’t matter to you.
It’s fine to require a grasp of copyright among people who write, publish and distribute novels — but it’s bananas to require people who read novels to understand copyright.
And yet, here we are.
The test for whether copyright applies to you — for whether you are part of the entertainment industry’s supply chain — is whether you are making or dealing in copies of creative works. This test was once a very good one.
Back when every book had a printing press in its history, every record a record-pressing plant, every film a film-lab, “making or handling copies of creative works” was a pretty good test to determine whether someone was part of the entertainment industry. Even if it turned out they weren’t, the kind of person who has a record-pressing plant can afford to consult an expert to make sure they’re on the right side of the law.
35 episoder
Manage episode 390016698 series 82029
This week on my podcast, I read my final Medium column
The internet’s original sin, about the failure of trying to stretch copyright to cover every problem on the internet.
Copyright is a regulation. It regulates the supply-chain of the entertainment industry. Copyright matters a lot to me, because I’m in the industry.
But unless you’re in the industry, it shouldn’t matter to you.
It’s fine to require a grasp of copyright among people who write, publish and distribute novels — but it’s bananas to require people who read novels to understand copyright.
And yet, here we are.
The test for whether copyright applies to you — for whether you are part of the entertainment industry’s supply chain — is whether you are making or dealing in copies of creative works. This test was once a very good one.
Back when every book had a printing press in its history, every record a record-pressing plant, every film a film-lab, “making or handling copies of creative works” was a pretty good test to determine whether someone was part of the entertainment industry. Even if it turned out they weren’t, the kind of person who has a record-pressing plant can afford to consult an expert to make sure they’re on the right side of the law.
35 episoder
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