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Innhold levert av LibriVox. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av LibriVox eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Princess Casamassima, The by Henry James (1843 - 1916)

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Arkivert serier ("Inaktiv feed" status)

When? This feed was archived on August 16, 2021 21:09 (2+ y ago). Last successful fetch was on February 14, 2021 11:08 (3y ago)

Why? Inaktiv feed status. Våre servere kunne ikke hente en gyldig podcast feed for en vedvarende periode.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 75685
Innhold levert av LibriVox. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av LibriVox eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. ( Nicholas Clifford)
  continue reading

47 episoder

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iconDel
 

Arkivert serier ("Inaktiv feed" status)

When? This feed was archived on August 16, 2021 21:09 (2+ y ago). Last successful fetch was on February 14, 2021 11:08 (3y ago)

Why? Inaktiv feed status. Våre servere kunne ikke hente en gyldig podcast feed for en vedvarende periode.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 75685
Innhold levert av LibriVox. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av LibriVox eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. ( Nicholas Clifford)
  continue reading

47 episoder

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