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Episode 2: Is This Jazz (w/ Seth T.)

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Manage episode 451375543 series 3617772
Innhold levert av roughroughdrafts. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av roughroughdrafts eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

What is the state of jazz in contemporary American culture? Maurice and Luke reconnect with their friend Seth, an independent jazz scholar and musician who shares his perspective cultivated by his reading and practice. Seth gives a historical overview of how the genre evolved through some of its most impactful contributors. In addition, he provides commentary on the relationship between jazz and white spectatorship and imitators (Jack Harlow maybe catches some strays).

Seth’s reflections urge us to think about the refined exploitation in the music industry and in black cultural expression more broadly.

**Disclaimer: Luke’s segregation take may make certain folks blush and offend others; in the spirit of Rough Drafts, he is unserious (though not uninformed). Despite what he says, he looks forward to seeing his mother come holiday season and is a strong supporter of a multicultural democracy :)

Sources:

Thelonious Monk: The Life and Times of an American Original by Robin D.G. Kelley (2010)

https://www.harvard.com/book/9781439190463

As Serious As Your Life: Black Music and The Free Jazz Revolution By Val Wilmer (2018)

https://mastbooks.com/products/as-serious-as-your-life

Free Jazz/Black Power By Philppe Carles and Jean-Louis Comolli; translated by Gregory Pierrot https://www.upress.state.ms.us/Books/F/Free-Jazz-Black-Power

Jazz and Justice: Racism and the Political Economy of Music by Gerald Horne

References:

How it Feels To Be Colored Me, by Zora Neale Hurston (1929)

https://core-docs.s3.amazonaws.com/documents/asset/uploaded_file/619238/D12_How_it_Feels_to_be_Colored_ZNH_students__1___1___1_.pdf

Blues People: Negro Music in White America by Amiri Baraka

https://archive.org/details/bluespeoplenegroexp00bara

https://www.amherst.edu/media/view/91518/original/Baraka+-+The+Modern+Scene.pdf

Solar Myth

https://metrophiladelphia.com/solar-myth-john-coltrane-birthday/

screening director Shahkeem E. Williams’ new short film ‘Speakn’ Trane’ (written and produced by John Coltrane Symposium founder Anyabwile Love,

On the Road by Jack Kerouac Howl by Allan Ginsburg

Soul (Disney Pixar)

Fact Checks:

Sun Ra was definitely Black Arts Movement

Immanuel *Wilkins* (not wilkerson)

  continue reading

5 episoder

Artwork
iconDel
 
Manage episode 451375543 series 3617772
Innhold levert av roughroughdrafts. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av roughroughdrafts eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

What is the state of jazz in contemporary American culture? Maurice and Luke reconnect with their friend Seth, an independent jazz scholar and musician who shares his perspective cultivated by his reading and practice. Seth gives a historical overview of how the genre evolved through some of its most impactful contributors. In addition, he provides commentary on the relationship between jazz and white spectatorship and imitators (Jack Harlow maybe catches some strays).

Seth’s reflections urge us to think about the refined exploitation in the music industry and in black cultural expression more broadly.

**Disclaimer: Luke’s segregation take may make certain folks blush and offend others; in the spirit of Rough Drafts, he is unserious (though not uninformed). Despite what he says, he looks forward to seeing his mother come holiday season and is a strong supporter of a multicultural democracy :)

Sources:

Thelonious Monk: The Life and Times of an American Original by Robin D.G. Kelley (2010)

https://www.harvard.com/book/9781439190463

As Serious As Your Life: Black Music and The Free Jazz Revolution By Val Wilmer (2018)

https://mastbooks.com/products/as-serious-as-your-life

Free Jazz/Black Power By Philppe Carles and Jean-Louis Comolli; translated by Gregory Pierrot https://www.upress.state.ms.us/Books/F/Free-Jazz-Black-Power

Jazz and Justice: Racism and the Political Economy of Music by Gerald Horne

References:

How it Feels To Be Colored Me, by Zora Neale Hurston (1929)

https://core-docs.s3.amazonaws.com/documents/asset/uploaded_file/619238/D12_How_it_Feels_to_be_Colored_ZNH_students__1___1___1_.pdf

Blues People: Negro Music in White America by Amiri Baraka

https://archive.org/details/bluespeoplenegroexp00bara

https://www.amherst.edu/media/view/91518/original/Baraka+-+The+Modern+Scene.pdf

Solar Myth

https://metrophiladelphia.com/solar-myth-john-coltrane-birthday/

screening director Shahkeem E. Williams’ new short film ‘Speakn’ Trane’ (written and produced by John Coltrane Symposium founder Anyabwile Love,

On the Road by Jack Kerouac Howl by Allan Ginsburg

Soul (Disney Pixar)

Fact Checks:

Sun Ra was definitely Black Arts Movement

Immanuel *Wilkins* (not wilkerson)

  continue reading

5 episoder

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