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Innhold levert av Screen Test of Time, Suzan Eraslan, and David Daw. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Screen Test of Time, Suzan Eraslan, and David Daw eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Episode 163: The Snake Pit

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Manage episode 298961526 series 2876922
Innhold levert av Screen Test of Time, Suzan Eraslan, and David Daw. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Screen Test of Time, Suzan Eraslan, and David Daw eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

The Snake Pit, based on the autobiographical book of the same name, is the story of one woman’s experience inside a mental institution, and the treatment, both cruel and sympathetic, she receives at the hands of the mental health industry. Olivia de Havilland stars in one of those roles the Academy loves— typically pretty and elegant woman wears slightly less makeup and has somewhat disheveled hair for 2 hours and it’s considered oh-so-brave! Also, David and Suzan reveal their pick for the Best Picture of 1948— and it’s not the Academy’s.

  continue reading

211 episoder

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iconDel
 
Manage episode 298961526 series 2876922
Innhold levert av Screen Test of Time, Suzan Eraslan, and David Daw. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Screen Test of Time, Suzan Eraslan, and David Daw eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

The Snake Pit, based on the autobiographical book of the same name, is the story of one woman’s experience inside a mental institution, and the treatment, both cruel and sympathetic, she receives at the hands of the mental health industry. Olivia de Havilland stars in one of those roles the Academy loves— typically pretty and elegant woman wears slightly less makeup and has somewhat disheveled hair for 2 hours and it’s considered oh-so-brave! Also, David and Suzan reveal their pick for the Best Picture of 1948— and it’s not the Academy’s.

  continue reading

211 episoder

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