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BFI London Film Festival 2024 - Episode 2

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Manage episode 445755059 series 2416725
Innhold levert av The Cinematologists. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Cinematologists eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Our second London Film Festival main episode is here, and it's a bumper edition. Dario is in Falmouth visiting Neil, so it's something of a nostalgic live taping from the place where The Cinematologists started. The first film on the agenda is Alex Ross Perry's Pavements, which is a meta-documentary on a mercurial 90s band, Pavement. Neil, with his music film expertise, gives detailed context to the history and mythology of the band, whose cult status is deliberately explored by Ross Perry. It is another film that plays with multiple forms and perspectives and is also an instructive counterpoint to Soundtrack to a Coup d'etat (which we covered in the previous main show).

This episode also features an interview with Australian director Justin Kurzel, who previously made the somewhat underrated version of Macbeth with Michael Fassbender and Marion Cotillard (among an impressive ouvre). His LFF entry this year is a documentary focusing on Australian musician Warren Ellis. The film follows his career but also explores his dedication to a wildlife sanctuary in Sumatra, where rescued trafficked animals are nursed back to health.

Dario then discusses the psychological drama Under the Volcano by Polish director Damian Kocur. It tells the story of a middle-class Ukrainian family finishing a holiday in Tenerife just as the war starts. It's another film that keeps the spectre of apocalypse in the background while focusing on the nuances of familial trauma and the ethical decisions they are forced to confront.

Finally, Hailey and Ben join us to discuss Elton John: Never Too Late, a look back at the singer-songwriter's huge career in the context of his final concert in North America at Dodger Stadium.

Our extended coverage of the festival is on our Patreon channel, to support the show please consider subscribing for as little as £2.50 per month. You get access to all our bonus content.

We also really appreciate any reviews you might write (please send us what you have written, and we’ll mention it). Sharing on Social Media is the lifeblood of the podcast, so please do that if you enjoy the show.

Instagram: https://www.instagram.com/drdariofilms/

TikTok: https://www.tiktok.com/@cinematologistspodcast

---

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

  continue reading

198 episoder

Artwork
iconDel
 
Manage episode 445755059 series 2416725
Innhold levert av The Cinematologists. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Cinematologists eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Our second London Film Festival main episode is here, and it's a bumper edition. Dario is in Falmouth visiting Neil, so it's something of a nostalgic live taping from the place where The Cinematologists started. The first film on the agenda is Alex Ross Perry's Pavements, which is a meta-documentary on a mercurial 90s band, Pavement. Neil, with his music film expertise, gives detailed context to the history and mythology of the band, whose cult status is deliberately explored by Ross Perry. It is another film that plays with multiple forms and perspectives and is also an instructive counterpoint to Soundtrack to a Coup d'etat (which we covered in the previous main show).

This episode also features an interview with Australian director Justin Kurzel, who previously made the somewhat underrated version of Macbeth with Michael Fassbender and Marion Cotillard (among an impressive ouvre). His LFF entry this year is a documentary focusing on Australian musician Warren Ellis. The film follows his career but also explores his dedication to a wildlife sanctuary in Sumatra, where rescued trafficked animals are nursed back to health.

Dario then discusses the psychological drama Under the Volcano by Polish director Damian Kocur. It tells the story of a middle-class Ukrainian family finishing a holiday in Tenerife just as the war starts. It's another film that keeps the spectre of apocalypse in the background while focusing on the nuances of familial trauma and the ethical decisions they are forced to confront.

Finally, Hailey and Ben join us to discuss Elton John: Never Too Late, a look back at the singer-songwriter's huge career in the context of his final concert in North America at Dodger Stadium.

Our extended coverage of the festival is on our Patreon channel, to support the show please consider subscribing for as little as £2.50 per month. You get access to all our bonus content.

We also really appreciate any reviews you might write (please send us what you have written, and we’ll mention it). Sharing on Social Media is the lifeblood of the podcast, so please do that if you enjoy the show.

Instagram: https://www.instagram.com/drdariofilms/

TikTok: https://www.tiktok.com/@cinematologistspodcast

---

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

  continue reading

198 episoder

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