In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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9 - Reinventing Queer Cinema: Sequin In A Blue Room
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Manage episode 235276119 series 2509616
Innhold levert av Sound Perspective. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Sound Perspective eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
I had the pleasure of interviewing Samuel Van Grinsven and Stuart Melvey, director and re-recording mixer of the indie feature film Sequin in a Blue Room, which is premiering at Sydney Film Festival this month. They talked about making a thriller about contemporary queer culture, the struggles of indie filmmaking and creating a sense of claustrophobia in the soundtrack. Follow Sequin in a Blue Room's social media for updates on upcoming festivals here: https://www.facebook.com/sequininablueroom/ https://www.instagram.com/sequininablueroom/?hl=en Visit the Sound Perspective website: https://www.soundperspectivepodcast.com/
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40 episoder
MP3•Episoder hjem
Manage episode 235276119 series 2509616
Innhold levert av Sound Perspective. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Sound Perspective eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
I had the pleasure of interviewing Samuel Van Grinsven and Stuart Melvey, director and re-recording mixer of the indie feature film Sequin in a Blue Room, which is premiering at Sydney Film Festival this month. They talked about making a thriller about contemporary queer culture, the struggles of indie filmmaking and creating a sense of claustrophobia in the soundtrack. Follow Sequin in a Blue Room's social media for updates on upcoming festivals here: https://www.facebook.com/sequininablueroom/ https://www.instagram.com/sequininablueroom/?hl=en Visit the Sound Perspective website: https://www.soundperspectivepodcast.com/
…
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