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Marcus Paus on the Challenges as a Romantic Composer in a Field of Dogmatic Modernists
Manage episode 355037675 series 3446707
Innhold levert av Cave of Apelles and Jan-Ove Tuv. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Cave of Apelles and Jan-Ove Tuv eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
"I have had mentors as well as tormentors," says Marcus Paus, the Norwegian composer, whose admiration for the craft of classical music has led to his work being frequently attacked by dogmatic modernists — among them a self-appointed nemesis, known as "the teacher who was not to be."Paus' response is to declare that he is not an ideological composer, but simply a musician who recognizes the necessity of seeing the past as a self-evident source of knowledge.In his conversation with Jan-Ove Tuv, he also talks about his education in Oslo with Trygve Madsen and in New York with Richard Danielpour, his work with film music and highlights from his own works, such as "Love's Last Rites" from his album "Odes & Elegies".Can you learn something across disciplines? By the end of their conversation, Tuv and Paus also discuss the value of Paus' friendship with painters and poets such as Christopher Rådlund and Håkan Sandell.The Centerpiece for this conversation is "Stetind" by Christopher RådlundThe episode was produced by Bork S. Nerdrum, assisted by Andrew Aviste and Seth Fite. 🎵Listen to exclusive episodes
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