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143. The Old Man and the Land and the line between cinema and radio play

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Manage episode 444018911 series 2456621
Innhold levert av Seventh Row. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Seventh Row eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

**To sign up for the Reel Ruminators (Free Trial), visit https://email.seventh-row.com/trial.**

In this episode, Alex Heeney discusses the new independent British film The Old Man and the Land, which was just released in the U.K. The film is told almost entirely as a series of voicemails from a farmer's two adult children (played by Rory Kinnear and Emily Beecham).

On screen, we only ever see the farmer (their father) tending to the land, doing his chores and daily activities. We never see the people whose voices we hear. The film raises interesting questions about how the film differs (or not) from a radio play in how it tells the story. What does the disconnect between sound and image in cinema offer for the story?

Stay updated on Seventh Row

Follow Seventh Row on Twitter and Instagram. Read our articles at seventh-row.com.

Follow Alex Heeney on Twitter and Instagram.

  continue reading

114 episoder

Artwork
iconDel
 
Manage episode 444018911 series 2456621
Innhold levert av Seventh Row. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Seventh Row eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

**To sign up for the Reel Ruminators (Free Trial), visit https://email.seventh-row.com/trial.**

In this episode, Alex Heeney discusses the new independent British film The Old Man and the Land, which was just released in the U.K. The film is told almost entirely as a series of voicemails from a farmer's two adult children (played by Rory Kinnear and Emily Beecham).

On screen, we only ever see the farmer (their father) tending to the land, doing his chores and daily activities. We never see the people whose voices we hear. The film raises interesting questions about how the film differs (or not) from a radio play in how it tells the story. What does the disconnect between sound and image in cinema offer for the story?

Stay updated on Seventh Row

Follow Seventh Row on Twitter and Instagram. Read our articles at seventh-row.com.

Follow Alex Heeney on Twitter and Instagram.

  continue reading

114 episoder

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