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Innhold levert av Elisabeth Le Guin. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Elisabeth Le Guin eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Yax Montaño (English)

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Manage episode 305246858 series 2890883
Innhold levert av Elisabeth Le Guin. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Elisabeth Le Guin eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Interviewed the day before her 21st birthday, Yax reveals a source of wisdom and seriousness worthy of a much older person. In her view, the migrant condition as a person who is “Neither from here nor from there” is not necessarily tragic, but rather an opportunity to know oneself better.

YAX MONTAÑO: BIBLIOGRAPHY AND LINKS

Facundo Cabral & “No soy de aquí ni de allá” (I’m not from here, nor from there”)

The song was written in 1970 and is probably the best-known song by the great Argentinean singer-songwriter-philosopher-artivist. It has been covered by a great many artists, among them Alberto Cortez (see Episode #10, Abel Ruíz).

The two Wikipedia articles are different but each is quite good:

English: https://en.wikipedia.org/wiki/Facundo_Cabral

https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1

  • This short Wikipedia piece about the song is short on references but has anecdotic charm

Chavela Vargas

Wikipedia, as usual, offers good basic information about this amazing figure:

https://es.wikipedia.org/wiki/Chavela_Vargas

Chavela has also been noticed in academic circles:

  • Jesusa Rodríguez, Liliana Felipe. “Doña Chavela” (119) 31.XII. 1990 Debate Feminista, Vol. 23 (ABRIL 2001), pp. 372-377
  • Roberto Strongman. “The Latin American Queer Aesthetics of El Bolero.” Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes, Vol. 32, No. 64 (2007), pp. 39-78
  • Lourdes Torres. “Becoming Visible: U.S. Latina Lesbians Talk Back and Act Out.” Counterpoints, Vol. 169, Talking Back and Acting Out: Women Negotiating the Media Across Cultures (2002), pp. 151-162

070 Shake

As with many younger hip hop artists, 070 Shake is chiefly represented by the Internet—with attendant issues around the reliability of the information thus encountered.

http://www.070shake.net/

https://en.wikipedia.org/wiki/070_Shake (English)

  continue reading

56 episoder

Artwork
iconDel
 
Manage episode 305246858 series 2890883
Innhold levert av Elisabeth Le Guin. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Elisabeth Le Guin eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Interviewed the day before her 21st birthday, Yax reveals a source of wisdom and seriousness worthy of a much older person. In her view, the migrant condition as a person who is “Neither from here nor from there” is not necessarily tragic, but rather an opportunity to know oneself better.

YAX MONTAÑO: BIBLIOGRAPHY AND LINKS

Facundo Cabral & “No soy de aquí ni de allá” (I’m not from here, nor from there”)

The song was written in 1970 and is probably the best-known song by the great Argentinean singer-songwriter-philosopher-artivist. It has been covered by a great many artists, among them Alberto Cortez (see Episode #10, Abel Ruíz).

The two Wikipedia articles are different but each is quite good:

English: https://en.wikipedia.org/wiki/Facundo_Cabral

https://es.wikipedia.org/wiki/No_soy_de_aqu%C3%AD_ni_soy_de_all%C3%A1

  • This short Wikipedia piece about the song is short on references but has anecdotic charm

Chavela Vargas

Wikipedia, as usual, offers good basic information about this amazing figure:

https://es.wikipedia.org/wiki/Chavela_Vargas

Chavela has also been noticed in academic circles:

  • Jesusa Rodríguez, Liliana Felipe. “Doña Chavela” (119) 31.XII. 1990 Debate Feminista, Vol. 23 (ABRIL 2001), pp. 372-377
  • Roberto Strongman. “The Latin American Queer Aesthetics of El Bolero.” Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes, Vol. 32, No. 64 (2007), pp. 39-78
  • Lourdes Torres. “Becoming Visible: U.S. Latina Lesbians Talk Back and Act Out.” Counterpoints, Vol. 169, Talking Back and Acting Out: Women Negotiating the Media Across Cultures (2002), pp. 151-162

070 Shake

As with many younger hip hop artists, 070 Shake is chiefly represented by the Internet—with attendant issues around the reliability of the information thus encountered.

http://www.070shake.net/

https://en.wikipedia.org/wiki/070_Shake (English)

  continue reading

56 episoder

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