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Innhold levert av Soundstage Access. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Soundstage Access eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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EP 38 | Shelly Johnson, Cinematographer (‘Captain America: First Avenger’, 'Jurassic Park 3')

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Innhold levert av Soundstage Access. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Soundstage Access eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
It’s so exciting to sit down with cinematographer Shelly Johnson, whose credits include CAPTAIN AMERICA: THE FIRST AVENGER, THE WOLFMAN and BILL & TED FACE THE MUSIC. Shelly is an amazing storyteller, and in our conversation we discuss a number of topics: from Shelly getting chosen by Spielberg himself to shoot JURASSIC PARK III as his first studio movie; the complex process of creating a "skinny Steve Rogers" for CAPTAIN AMERICA: THE FIRST AVENGER; how Shelly reconstructed an epic naval battle completely inside a dry studio for Tom Hanks’ newest movie GREYHOUND; how a last-minute emergency brought him aboard Keanu Reeves’ newest film BILL & TED FACE THE MUSIC; plus- the spectacular sequences designed for the upcoming HONEY, I SHRUNK THE KIDS reboot (titled SHRUNK)—and much more. Make sure to subscribe to Soundstage Access on your favorite podcast platform and share your favorite episodes with your friends. INSTAGRAM: www.instagram.com/soundstageaccess/ FACEBOOK: www.facebook.com/soundstageaccess/ TWITTER: twitter.com/SoundstageAC
  continue reading

60 episoder

Artwork
iconDel
 
Manage episode 310087334 series 3047948
Innhold levert av Soundstage Access. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Soundstage Access eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
It’s so exciting to sit down with cinematographer Shelly Johnson, whose credits include CAPTAIN AMERICA: THE FIRST AVENGER, THE WOLFMAN and BILL & TED FACE THE MUSIC. Shelly is an amazing storyteller, and in our conversation we discuss a number of topics: from Shelly getting chosen by Spielberg himself to shoot JURASSIC PARK III as his first studio movie; the complex process of creating a "skinny Steve Rogers" for CAPTAIN AMERICA: THE FIRST AVENGER; how Shelly reconstructed an epic naval battle completely inside a dry studio for Tom Hanks’ newest movie GREYHOUND; how a last-minute emergency brought him aboard Keanu Reeves’ newest film BILL & TED FACE THE MUSIC; plus- the spectacular sequences designed for the upcoming HONEY, I SHRUNK THE KIDS reboot (titled SHRUNK)—and much more. Make sure to subscribe to Soundstage Access on your favorite podcast platform and share your favorite episodes with your friends. INSTAGRAM: www.instagram.com/soundstageaccess/ FACEBOOK: www.facebook.com/soundstageaccess/ TWITTER: twitter.com/SoundstageAC
  continue reading

60 episoder

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