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Program Notes: Elgar’s Enigma Variations

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Innhold levert av The Florida Orchestra. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Florida Orchestra eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

The power of friendship. Edward Elgar’s most popular work, Enigma Variations, was dedicated to 14 friends portrayed in the pieces – from his wife to an Oxford professor, a bulldog and even Elgar himself. Like the Elgar, each section of Ravel’s Le Tombeau de Couperin (The Grave of Couperin) is dedicated to someone the composer knew, but this time they are friends who died on the battlefield. The music is far from gloomy. The composer once said, “the dead are sad enough, in their eternal silence.’’ In Brahms Double Concerto, the violin and cello are partners in a conversation with the orchestra, ending with a spirited rondo that harkens back to the composer’s own Hungarian Dances.
These program notes include music excerpts.
Masterworks 12 of the 23/24 Season
Performances May 17-19, 2024

  continue reading

36 episoder

Artwork
iconDel
 
Manage episode 418626291 series 3428443
Innhold levert av The Florida Orchestra. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Florida Orchestra eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

The power of friendship. Edward Elgar’s most popular work, Enigma Variations, was dedicated to 14 friends portrayed in the pieces – from his wife to an Oxford professor, a bulldog and even Elgar himself. Like the Elgar, each section of Ravel’s Le Tombeau de Couperin (The Grave of Couperin) is dedicated to someone the composer knew, but this time they are friends who died on the battlefield. The music is far from gloomy. The composer once said, “the dead are sad enough, in their eternal silence.’’ In Brahms Double Concerto, the violin and cello are partners in a conversation with the orchestra, ending with a spirited rondo that harkens back to the composer’s own Hungarian Dances.
These program notes include music excerpts.
Masterworks 12 of the 23/24 Season
Performances May 17-19, 2024

  continue reading

36 episoder

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