Artwork

Innhold levert av Maria Stoljar. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Maria Stoljar eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Sophie Perez and Sarah McDonald (with edited version on YouTube)

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Manage episode 449773730 series 1255162
Innhold levert av Maria Stoljar. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Maria Stoljar eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

See an edited version of this episode (5 mins) on the talking with Painters YouTube channel here

An artist’s residency provides more than just uninterrupted time to work; it’s also a valuable space for risk-taking, experimentation, and self-reflection.

That’s what I learned when I caught up with Sophie Perez and Sarah McDonald during my recent visit to the Tweed Regional Gallery. They were there for a residency in the Nancy Fairfax Artist in Residence studio. Both are accomplished landscape painters working in oils, have exhibited in solo and group shows across the country and both made the trek across Australia to immerse themselves in this experience – Sophie from Victoria and Sarah from South Australia. It was wonderful to hear their thoughts on the value of the residency and what has come from it.

This is the first of three podcast episodes which I recorded on my visit to the Tweed Regional Gallery a couple of weeks ago. I was invited to facilitate a conversation in front of an audience with Robert Malherbe and Keith Burt, two leading painters who recently completed funded residencies at the gallery. Their new works, now hanging in the exhibition A Dictionary for Painting, are inspired by objects from Australian art royalty Margaret Olley’s glorious home studio, which has been relocated within the gallery. The gallery recorded the conversation and it will be coming soon to the podcast. I was also lucky enough to have an impromptu chat with gallery director Ingrid Hedgcock, an expert on Margaret Olley, who will be joining me on the next episode.

Links

https://youtu.be/jxJybTWc81s?si=8neVQgRZyTP1x7y6

Wall of Sophie Perez’ work

Wall of Sarah McDonald’s work

  continue reading

160 episoder

Artwork
iconDel
 
Manage episode 449773730 series 1255162
Innhold levert av Maria Stoljar. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Maria Stoljar eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

See an edited version of this episode (5 mins) on the talking with Painters YouTube channel here

An artist’s residency provides more than just uninterrupted time to work; it’s also a valuable space for risk-taking, experimentation, and self-reflection.

That’s what I learned when I caught up with Sophie Perez and Sarah McDonald during my recent visit to the Tweed Regional Gallery. They were there for a residency in the Nancy Fairfax Artist in Residence studio. Both are accomplished landscape painters working in oils, have exhibited in solo and group shows across the country and both made the trek across Australia to immerse themselves in this experience – Sophie from Victoria and Sarah from South Australia. It was wonderful to hear their thoughts on the value of the residency and what has come from it.

This is the first of three podcast episodes which I recorded on my visit to the Tweed Regional Gallery a couple of weeks ago. I was invited to facilitate a conversation in front of an audience with Robert Malherbe and Keith Burt, two leading painters who recently completed funded residencies at the gallery. Their new works, now hanging in the exhibition A Dictionary for Painting, are inspired by objects from Australian art royalty Margaret Olley’s glorious home studio, which has been relocated within the gallery. The gallery recorded the conversation and it will be coming soon to the podcast. I was also lucky enough to have an impromptu chat with gallery director Ingrid Hedgcock, an expert on Margaret Olley, who will be joining me on the next episode.

Links

https://youtu.be/jxJybTWc81s?si=8neVQgRZyTP1x7y6

Wall of Sophie Perez’ work

Wall of Sarah McDonald’s work

  continue reading

160 episoder

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