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Innhold levert av Breandáin O'Shea. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Breandáin O'Shea eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Alma Moodie Part I

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Manage episode 352500714 series 2091631
Innhold levert av Breandáin O'Shea. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Breandáin O'Shea eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

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This is part I of two podcasts featuring the life and music of Alma Moodie.
She was born in 1898 in rural Australia, and moved to Europe early last century. She became a student of the legendary Carl Flesch, who referred to her as his favourite student. The violinist collaborated with renowned composers, among them Stravinsky, Pfitzner and Reger, and cultivated friendships with aristocracy, philanthropists and the poet Rainer Maria Rilke.
Alma Moodie’s influence and fame were far reaching, well beyond her untimely death in 1943.
In this podcast we meet the Australian musicologist and historian Kay Dreyfus, who published “Bluebeard’s Bride”, a biography of Alma Moodie in 2013. More recently Kay edited “The Fractured Self”, a book featuring 270 letters from the Moodie collection. Also joining me are musicians Diana Weekes, who translated Moodie’s letters, and violinist Goetz Richter, Associate Professor at the University of Sydney’s Conservatorium of Music. Goetz has researched and performed many of the pieces associated with Moodie during her lifetime. Two of his recordings of Moodie inspired works also featured in the podcast.

For more episodes of Tall Poppies: The Podcast, highlighting remarkable Australians making waves globally, visit https://www.tall-poppies.com/.

  continue reading

27 episoder

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iconDel
 
Manage episode 352500714 series 2091631
Innhold levert av Breandáin O'Shea. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Breandáin O'Shea eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Send us a text

This is part I of two podcasts featuring the life and music of Alma Moodie.
She was born in 1898 in rural Australia, and moved to Europe early last century. She became a student of the legendary Carl Flesch, who referred to her as his favourite student. The violinist collaborated with renowned composers, among them Stravinsky, Pfitzner and Reger, and cultivated friendships with aristocracy, philanthropists and the poet Rainer Maria Rilke.
Alma Moodie’s influence and fame were far reaching, well beyond her untimely death in 1943.
In this podcast we meet the Australian musicologist and historian Kay Dreyfus, who published “Bluebeard’s Bride”, a biography of Alma Moodie in 2013. More recently Kay edited “The Fractured Self”, a book featuring 270 letters from the Moodie collection. Also joining me are musicians Diana Weekes, who translated Moodie’s letters, and violinist Goetz Richter, Associate Professor at the University of Sydney’s Conservatorium of Music. Goetz has researched and performed many of the pieces associated with Moodie during her lifetime. Two of his recordings of Moodie inspired works also featured in the podcast.

For more episodes of Tall Poppies: The Podcast, highlighting remarkable Australians making waves globally, visit https://www.tall-poppies.com/.

  continue reading

27 episoder

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