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Innhold levert av The Spectator. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Spectator eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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John Suchet: In Search of Beethoven

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Manage episode 447620683 series 1426765
Innhold levert av The Spectator. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Spectator eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
My guest in this week’s Book Club podcast is John Suchet whose new book In Search of Beethoven: A Personal Journey describes his lifelong passion for the composer. He tells me how the ‘Eroica’ was his soundtrack to the Lebanese Civil War, about the mysteries of Beethoven’s love-life and deafness, why he had reluctantly to accept that Beethoven was ‘ugly and half-mad’; and how even in the course of writing the book, new scholarship upended his assumptions about events in the composer’s life (from his meeting with Mozart to the circumstances of his death).
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403 episoder

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John Suchet: In Search of Beethoven

The Book Club

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Manage episode 447620683 series 1426765
Innhold levert av The Spectator. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Spectator eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
My guest in this week’s Book Club podcast is John Suchet whose new book In Search of Beethoven: A Personal Journey describes his lifelong passion for the composer. He tells me how the ‘Eroica’ was his soundtrack to the Lebanese Civil War, about the mysteries of Beethoven’s love-life and deafness, why he had reluctantly to accept that Beethoven was ‘ugly and half-mad’; and how even in the course of writing the book, new scholarship upended his assumptions about events in the composer’s life (from his meeting with Mozart to the circumstances of his death).
  continue reading

403 episoder

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