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#5: How To Coordinate a Film set of 40+ People

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Manage episode 310972467 series 3079003
Innhold levert av The Chris Brodhead Show. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Chris Brodhead Show eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
In this episode I talk to Filmmaker Robert Bruce Carter who just finished directing his most ambitious short to date. After the script won numerous awards, he set about to raise the biggest budget he’s ever worked with. The production spanned three days and involved over 40 people on set handling everything from extras to Portuguese translation. There are some awesome insights on how to organize and work with such a large crew. Not to mention why you should shoot with a Sony FS7 instead of a Red, how to handle the biggest budget you’ve ever worked with, and more! Hope you enjoy it as much as I did! 0:30 The difference between Pre-Production and Development 1:10 How to coordinate 40+ people on set 2:50 Why you should use a Sony FS7 instead of a Red 3:30 The best way to edit 4K 4:00 How to handle the biggest budget you’ve ever worked with 5:00 If the shit hit the fan would you pay your crew or your rent? 5:20 Ideal crew for your short 6:00 The importance of a good prop person 7:30
  continue reading

15 episoder

Artwork
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Manage episode 310972467 series 3079003
Innhold levert av The Chris Brodhead Show. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Chris Brodhead Show eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
In this episode I talk to Filmmaker Robert Bruce Carter who just finished directing his most ambitious short to date. After the script won numerous awards, he set about to raise the biggest budget he’s ever worked with. The production spanned three days and involved over 40 people on set handling everything from extras to Portuguese translation. There are some awesome insights on how to organize and work with such a large crew. Not to mention why you should shoot with a Sony FS7 instead of a Red, how to handle the biggest budget you’ve ever worked with, and more! Hope you enjoy it as much as I did! 0:30 The difference between Pre-Production and Development 1:10 How to coordinate 40+ people on set 2:50 Why you should use a Sony FS7 instead of a Red 3:30 The best way to edit 4K 4:00 How to handle the biggest budget you’ve ever worked with 5:00 If the shit hit the fan would you pay your crew or your rent? 5:20 Ideal crew for your short 6:00 The importance of a good prop person 7:30
  continue reading

15 episoder

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