The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
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Innhold levert av Film Comment and Film Comment Magazine. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Film Comment and Film Comment Magazine eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Tribute to Navroze Contractor, with Deepa Dhanraj
MP3•Episoder hjem
Manage episode 414398590 series 115441
Innhold levert av Film Comment and Film Comment Magazine. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Film Comment and Film Comment Magazine eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
From the early ’70s onwards, Indian cinematographer Navroze Contractor—who passed away last year at age 80—blazed a trail of radical image-making. Trained in fine arts, photography, and cinematography, Contractor wielded the camera as a weapon and a paintbrush, capturing both the thrills and the throes of popular uprisings in films that defined political documentary in India, and giving stunning form to the bold adventures in fiction undertaken by India’s Parallel Cinema filmmakers. Last Monday, Film Comment presented a double-feature program of two films shot by the cinematographer—Mani Kaul’s rapturous Duvidha (1973), and Sanjiv Shah’s unique musical satire Love in the Time of Malaria (1992)—along with an extended conversation with Deepa Dhanraj, Contractor’s partner in life and work, with whom he founded the feminist Yugantar Film Collective in the 1980s. The talk, available today on the podcast, delves into the challenging and low-budget conditions that Duvidha was shot under, the influence of Indian miniature painting and still photography on its look, and Contractor’s extraordinary visual felicity with both documentary and fiction.
…
continue reading
483 episoder
MP3•Episoder hjem
Manage episode 414398590 series 115441
Innhold levert av Film Comment and Film Comment Magazine. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Film Comment and Film Comment Magazine eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
From the early ’70s onwards, Indian cinematographer Navroze Contractor—who passed away last year at age 80—blazed a trail of radical image-making. Trained in fine arts, photography, and cinematography, Contractor wielded the camera as a weapon and a paintbrush, capturing both the thrills and the throes of popular uprisings in films that defined political documentary in India, and giving stunning form to the bold adventures in fiction undertaken by India’s Parallel Cinema filmmakers. Last Monday, Film Comment presented a double-feature program of two films shot by the cinematographer—Mani Kaul’s rapturous Duvidha (1973), and Sanjiv Shah’s unique musical satire Love in the Time of Malaria (1992)—along with an extended conversation with Deepa Dhanraj, Contractor’s partner in life and work, with whom he founded the feminist Yugantar Film Collective in the 1980s. The talk, available today on the podcast, delves into the challenging and low-budget conditions that Duvidha was shot under, the influence of Indian miniature painting and still photography on its look, and Contractor’s extraordinary visual felicity with both documentary and fiction.
…
continue reading
483 episoder
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