In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Ep. 241: Kelly Reichardt on Alain Delon, Passionate Friends, Recreating Rear Window, and more
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Manage episode 417692676 series 2792919
Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Ep. 241: Kelly Reichardt on Alain Delon, David Lean's Passionate Friends, Recreating Rear Window, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. With a retrospective of Kelly Reichardt’s work starting at Metrograph, I had the honor and pleasure of sitting down with Reichardt in one of the Metrograph theaters to talk about... the last things she saw! The director of (most recently) Showing Up discussed a run of Alain Delon movies she saw in the theater—starting with Purple Noon—and also films she uses in her teaching at Bard College, in coursework that involves students re-creating the filmmaking of certain scenes. “American Landscapes: The Cinema of Kelly Reichardt” begins May 11 at Metrograph, starting with her first feature, River of Grass, on through Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, Certain Women, First Cow, and her most recent, Showing Up, plus two shorts streaming on Metrograph at Home. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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281 episoder
MP3•Episoder hjem
Manage episode 417692676 series 2792919
Innhold levert av The Last Thing I Saw and Nicolas Rapold. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Last Thing I Saw and Nicolas Rapold eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
Ep. 241: Kelly Reichardt on Alain Delon, David Lean's Passionate Friends, Recreating Rear Window, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. With a retrospective of Kelly Reichardt’s work starting at Metrograph, I had the honor and pleasure of sitting down with Reichardt in one of the Metrograph theaters to talk about... the last things she saw! The director of (most recently) Showing Up discussed a run of Alain Delon movies she saw in the theater—starting with Purple Noon—and also films she uses in her teaching at Bard College, in coursework that involves students re-creating the filmmaking of certain scenes. “American Landscapes: The Cinema of Kelly Reichardt” begins May 11 at Metrograph, starting with her first feature, River of Grass, on through Old Joy, Wendy and Lucy, Meek’s Cutoff, Night Moves, Certain Women, First Cow, and her most recent, Showing Up, plus two shorts streaming on Metrograph at Home. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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