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Innhold levert av Ben Model. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ben Model eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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ep. 61: Improvising Themes for Re-Use and Development

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Manage episode 392757212 series 63198
Innhold levert av Ben Model. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ben Model eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

In this episode: Ben shares his experiences accompanying the silent era blockbuster “The Big Parade”, the rare Italian film “A’ Santanotte”, Laurel & Hardy shorts, and others; he and Kerr discuss the practices of creating leitmotifs on the fly during a show, and then repeating them later in the film’s score; there’s some deep info and history on the different pianos at MoMA, and how the feel of playing these pianos – and the many others Ben encounters in his work – affect his playing and live-scoring; Ben’s New Year’s resolution for his silent film accompaniments (with a nod to Akira Kurosawa); and more.

Show notes for episode 61 can be found here.


  continue reading

71 episoder

Artwork
iconDel
 
Manage episode 392757212 series 63198
Innhold levert av Ben Model. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ben Model eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

In this episode: Ben shares his experiences accompanying the silent era blockbuster “The Big Parade”, the rare Italian film “A’ Santanotte”, Laurel & Hardy shorts, and others; he and Kerr discuss the practices of creating leitmotifs on the fly during a show, and then repeating them later in the film’s score; there’s some deep info and history on the different pianos at MoMA, and how the feel of playing these pianos – and the many others Ben encounters in his work – affect his playing and live-scoring; Ben’s New Year’s resolution for his silent film accompaniments (with a nod to Akira Kurosawa); and more.

Show notes for episode 61 can be found here.


  continue reading

71 episoder

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