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Innhold levert av Ryan Swift. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ryan Swift eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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The Track - E020 - Nathan Bugh

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Manage episode 169879417 series 93220
Innhold levert av Ryan Swift. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ryan Swift eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
This month, I am joined by instructor, performer, and fellow New Yorker, Nathan Bugh.

Most dancers I’ve talked to on the show are professional Lindy Hoppers in the sense that they make their living traveling from city to city as dance instructors. While that description definitely applies to Nathan - he has taught with partners Evita Arce and Gaby Cook around the world - he’s also a professional Lindy Hopper of a different type: one who is regularly hired to perform at corporate and commercial events.

We sat down in New York City at the end of 2016 and talked about his experience performing at those commercial gigs, how his education in music composition at Juilliard does (or doesn’t) influence his approach to Lindy Hop, and weighed the relevance of vintage jazz dance in modern popular culture.

Nathan also explained why his unconventional approach to class structure may not necessarily be the best business model, what he means when he refers to the "academic Lindy Hop community,” and how the hot trend of “Gastby” entertainment at commercial dance gigs is in some ways more “real” than what’s found in the dedicated Lindy Hop community.
  continue reading

56 episoder

Artwork

The Track - E020 - Nathan Bugh

The Track with Ryan Swift

56 subscribers

published

iconDel
 
Manage episode 169879417 series 93220
Innhold levert av Ryan Swift. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Ryan Swift eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
This month, I am joined by instructor, performer, and fellow New Yorker, Nathan Bugh.

Most dancers I’ve talked to on the show are professional Lindy Hoppers in the sense that they make their living traveling from city to city as dance instructors. While that description definitely applies to Nathan - he has taught with partners Evita Arce and Gaby Cook around the world - he’s also a professional Lindy Hopper of a different type: one who is regularly hired to perform at corporate and commercial events.

We sat down in New York City at the end of 2016 and talked about his experience performing at those commercial gigs, how his education in music composition at Juilliard does (or doesn’t) influence his approach to Lindy Hop, and weighed the relevance of vintage jazz dance in modern popular culture.

Nathan also explained why his unconventional approach to class structure may not necessarily be the best business model, what he means when he refers to the "academic Lindy Hop community,” and how the hot trend of “Gastby” entertainment at commercial dance gigs is in some ways more “real” than what’s found in the dedicated Lindy Hop community.
  continue reading

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