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"ON STAGE, ON SCREEN": WRITING FOR PERFORMANCE with James Elazzi

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Manage episode 323049679 series 2940725
Innhold levert av WestWords. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av WestWords eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

James Elazzi is an Australian born writer, of Lebanese decent. His writing stems from his upbringing, combining a hybrid cultural melting pot of Lebanese and Australian heritage. His award-winning writing for the stage includes Lady Tabouli, Omar and Dawn and Son of Byblos.

Recently James completed his first screenplay, titled Karim's Cello. In this episode he speaks with James Roy about the differences between writing for stage vs writing for screen.

https://jameselazziwriter.wordpress.com/james-elazzi/

*** DISCLAIMER: Views expressed by guests of WestWords are not necessarily those of the WestWords organisation. ***

  continue reading

87 episoder

Artwork
iconDel
 
Manage episode 323049679 series 2940725
Innhold levert av WestWords. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av WestWords eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

James Elazzi is an Australian born writer, of Lebanese decent. His writing stems from his upbringing, combining a hybrid cultural melting pot of Lebanese and Australian heritage. His award-winning writing for the stage includes Lady Tabouli, Omar and Dawn and Son of Byblos.

Recently James completed his first screenplay, titled Karim's Cello. In this episode he speaks with James Roy about the differences between writing for stage vs writing for screen.

https://jameselazziwriter.wordpress.com/james-elazzi/

*** DISCLAIMER: Views expressed by guests of WestWords are not necessarily those of the WestWords organisation. ***

  continue reading

87 episoder

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