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Innhold levert av Dan Simpson. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Dan Simpson eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Catherine Steadman, author of 'Look in the Mirror' - Actor turned bestselling thriller writer discusses career pivots, character nuances, and why word count doesn't matter

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Manage episode 434472477 series 1617511
Innhold levert av Dan Simpson. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Dan Simpson eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Catherine Steadman had a very successful acting career, starring in 'Downton Abbey', 'Salmon Fishing in the Yemen', 'Fearless' and many more. In her early 30s, she started to think about how her future as an actor might pan out. It's been well documented that roles for older women are depressingly stark, and often frustratingly uninspired. Giving that some thought, Catherine decide to switch things around, and trusting that her story-telling and improvisational abilities learned from acting would transfer well, started writing fiction.


Her debut was 'Something in the Water', it became a Reese Witherspoon Book Club Pick, which launched her to success. She's a New York Times Bestseller, has sold millions of copies and been published around the world.


Her newest novel is 'Look in the Mirror', which looks at the lives of Nina and Maria, and how their lives become entangled with a huge house in the British Virgin Islands. It's a mysterious thriller which Catherine was keen to keep speculative, and not let it creep into being gritty or grimy.


Catherine talks about how acting has helped her writing, why she feels able to understand the nuances of characters well, also why novelty is key to her day, and how she keeps grounded after sudden success.


You can support the show at patreon.com/writersroutine


@writerspod

writersroutine.com



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

330 episoder

Artwork
iconDel
 
Manage episode 434472477 series 1617511
Innhold levert av Dan Simpson. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Dan Simpson eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Catherine Steadman had a very successful acting career, starring in 'Downton Abbey', 'Salmon Fishing in the Yemen', 'Fearless' and many more. In her early 30s, she started to think about how her future as an actor might pan out. It's been well documented that roles for older women are depressingly stark, and often frustratingly uninspired. Giving that some thought, Catherine decide to switch things around, and trusting that her story-telling and improvisational abilities learned from acting would transfer well, started writing fiction.


Her debut was 'Something in the Water', it became a Reese Witherspoon Book Club Pick, which launched her to success. She's a New York Times Bestseller, has sold millions of copies and been published around the world.


Her newest novel is 'Look in the Mirror', which looks at the lives of Nina and Maria, and how their lives become entangled with a huge house in the British Virgin Islands. It's a mysterious thriller which Catherine was keen to keep speculative, and not let it creep into being gritty or grimy.


Catherine talks about how acting has helped her writing, why she feels able to understand the nuances of characters well, also why novelty is key to her day, and how she keeps grounded after sudden success.


You can support the show at patreon.com/writersroutine


@writerspod

writersroutine.com



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

330 episoder

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