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Innhold levert av Monteverdi Choir & Orchestras and Monteverdi Choir. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Monteverdi Choir & Orchestras and Monteverdi Choir eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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5. The anatomy of melancholy - Monteverdi and his constellation

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Manage episode 304778457 series 2995421
Innhold levert av Monteverdi Choir & Orchestras and Monteverdi Choir. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Monteverdi Choir & Orchestras and Monteverdi Choir eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

The young star chosen and coached by Monteverdi to sing the title role in his second opera, Arianna, died of smallpox just days before the scheduled première in 1608. Her replacement, an experienced singing actress, held strong views on the character of the abandoned heroine, Ariadne. This podcast explores how women suddenly step forward as creative participants and instigators in this brave new world of the senses. Monteverdi showed a particular empathy with his female protagonists and performers. Actress Dame Janet Suzman finds a resonant truthfulness in Shakespeare’s Cleopatra, and we hear how the painter Artemisia Gentileschi dealt with her real-life experience of rape and processed it in her creative work. A window of opportunity opened for women artists and musicians in this period, allowing a temporary escape from paternalistic dominance, before closing again by mid-century.

  continue reading

8 episoder

Artwork
iconDel
 
Manage episode 304778457 series 2995421
Innhold levert av Monteverdi Choir & Orchestras and Monteverdi Choir. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Monteverdi Choir & Orchestras and Monteverdi Choir eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

The young star chosen and coached by Monteverdi to sing the title role in his second opera, Arianna, died of smallpox just days before the scheduled première in 1608. Her replacement, an experienced singing actress, held strong views on the character of the abandoned heroine, Ariadne. This podcast explores how women suddenly step forward as creative participants and instigators in this brave new world of the senses. Monteverdi showed a particular empathy with his female protagonists and performers. Actress Dame Janet Suzman finds a resonant truthfulness in Shakespeare’s Cleopatra, and we hear how the painter Artemisia Gentileschi dealt with her real-life experience of rape and processed it in her creative work. A window of opportunity opened for women artists and musicians in this period, allowing a temporary escape from paternalistic dominance, before closing again by mid-century.

  continue reading

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