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Innhold levert av Monteverdi Choir & Orchestras and Monteverdi Choir. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Monteverdi Choir & Orchestras and Monteverdi Choir eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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6. “More beautiful than the truth” - Monteverdi and his constellation

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Manage episode 304778456 series 2995421
Innhold levert av Monteverdi Choir & Orchestras and Monteverdi Choir. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Monteverdi Choir & Orchestras and Monteverdi Choir eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Visual art – and especially the work of Caravaggio and Rubens (in different but complementary ways) now aimed to intensify sensory experience and drama. What Monteverdi called the “natural path to imitation” was a radical bid to represent, magnify and even ‘improve’ upon nature through song and music theatre. The Church was not alone in finding this secularisation of knowledge alarming. Even the contemporary French philosopher Montaigne noted “Our mind is an erratic, dangerous and heedless tool. It is hard to impose order and moderation upon it”.

  continue reading

8 episoder

Artwork
iconDel
 
Manage episode 304778456 series 2995421
Innhold levert av Monteverdi Choir & Orchestras and Monteverdi Choir. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av Monteverdi Choir & Orchestras and Monteverdi Choir eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Visual art – and especially the work of Caravaggio and Rubens (in different but complementary ways) now aimed to intensify sensory experience and drama. What Monteverdi called the “natural path to imitation” was a radical bid to represent, magnify and even ‘improve’ upon nature through song and music theatre. The Church was not alone in finding this secularisation of knowledge alarming. Even the contemporary French philosopher Montaigne noted “Our mind is an erratic, dangerous and heedless tool. It is hard to impose order and moderation upon it”.

  continue reading

8 episoder

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