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Jennifer Reeder, ‘Naked Came the Stranger’ and ‘Love Actually’

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Manage episode 247144189 series 33201
Innhold levert av PRX. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av PRX eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Kurt Andersen talks with director Jennifer Reeder about her path from making short arthouse films in the 1990s to her new film, “Knives and Skin.” Producer Sam Kim has the story of erotic potboiler “Naked Came the Stranger,” which climbed The New York Times bestseller list in 1969 but, it turns out, was meant to be a parody of the very bodice-rippers it was outselling. And Richard Curtis’ 2003 movie “Love Actually” is much parodied for its cheesy gimmicks and accelerated marriage proposals, but screenwriter Oliver Butcher makes a case for why it is actually a deft work of screenwriting and direction.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

314 episoder

Artwork
iconDel
 
Manage episode 247144189 series 33201
Innhold levert av PRX. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av PRX eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

Kurt Andersen talks with director Jennifer Reeder about her path from making short arthouse films in the 1990s to her new film, “Knives and Skin.” Producer Sam Kim has the story of erotic potboiler “Naked Came the Stranger,” which climbed The New York Times bestseller list in 1969 but, it turns out, was meant to be a parody of the very bodice-rippers it was outselling. And Richard Curtis’ 2003 movie “Love Actually” is much parodied for its cheesy gimmicks and accelerated marriage proposals, but screenwriter Oliver Butcher makes a case for why it is actually a deft work of screenwriting and direction.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

314 episoder

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