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Innhold levert av The Writership Podcast and Leslie Watts. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Writership Podcast and Leslie Watts eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.
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Episode 108: Narrative Drive—Compelling Your Reader to Turn the Page

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Innhold levert av The Writership Podcast and Leslie Watts. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Writership Podcast and Leslie Watts eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

In this episode, fiction editors Leslie Watts and Anne Hawley critique the first chapter of Esperanza, a science fiction horror novel by Mike Ward. They discuss narrative drive. Different people use the term “narrative drive” to mean different things. What we discuss here is the amount of information the reader possesses relative to the character. The reader can have more, less, or the same information the characters in the scene have. In the opening scene of our submission today, the author gives the reader a key piece of information that the character doesn’t have, and it changes the way we experience the scene and the question that compels us to find out what happens next.

  continue reading

137 episoder

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iconDel
 
Manage episode 206226489 series 2311886
Innhold levert av The Writership Podcast and Leslie Watts. Alt podcastinnhold, inkludert episoder, grafikk og podcastbeskrivelser, lastes opp og leveres direkte av The Writership Podcast and Leslie Watts eller deres podcastplattformpartner. Hvis du tror at noen bruker det opphavsrettsbeskyttede verket ditt uten din tillatelse, kan du følge prosessen skissert her https://no.player.fm/legal.

In this episode, fiction editors Leslie Watts and Anne Hawley critique the first chapter of Esperanza, a science fiction horror novel by Mike Ward. They discuss narrative drive. Different people use the term “narrative drive” to mean different things. What we discuss here is the amount of information the reader possesses relative to the character. The reader can have more, less, or the same information the characters in the scene have. In the opening scene of our submission today, the author gives the reader a key piece of information that the character doesn’t have, and it changes the way we experience the scene and the question that compels us to find out what happens next.

  continue reading

137 episoder

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